In his long professional career, Natale Bertuletti has made a valuable contribution to the Lombard art of the twentieth century.
His artistic vocation was linked to the need to grasp reality. The man is at the centre of his portrait, not his abstract representation.
"... the faces tell stories, but not only those, also truths and sufferings, flashes of sensitivity."(A. Possenti)
Just with the use of colours, a combination of them, the direction of the brushstrokes, he would bring out from the canvas a flower, a fruit, a cabin, and it was clear that everything was in his mind before it was on the tripod.
In the figurative style (or better, post-figurative), in some periods, features of the Informalism emerge.
"... dazzling passages of everyday life only sketched, flashes of emotions and memories, incessant proofs of light, harmony and colour."(S. Nava)
Painting was his life and the increasing freedom of sign and incisiveness of brushstrokes characterized his research.
"The study is my church, where all my feelings have a way of manifesting themselves."
